A nostalgic visit to Bent Fabric's piano classic! A light swing feel sets the mood for one of the most popular instrumental popular pieces of the past fifty years. This arrangement is rated MEDIUM due to the relatively high voicing in all chairs

Arrangement of one of the most memorable selection's from Bernstein's "West Side Story." Contains a prelude with interesting rhythmic juxtapositions leading into the timeless melody.

Long celebrated as one of the most requested holiday classics, this original arrangement of the Christmas Song pays homage to singer Mel Torme, who wrote the song in 1946. The setting of the song is in the format of a saxophone quintet (SATBBs) w/vocal soloist. The soloist may also be substituted by any melodic instrument. This selection was originally commissioned for, and recorded on, Del Bybee's "The San Diego Holiday Project, 2001"

Mancini's beautiful melody arranged for SATB quartet. Begins with a lush rubato intro, and leads into a medium tempo swing. The arrangement may be opened up for group improvisation before the final recapitulation.

Orchestration of Stravinsky's revolutionary ballet for saxophone orchestra (SSAAAATTBBs) with optional bass drum

This original arrangement sets a holiday favorite in a saxophone quintet with the tenor serving as melodic soloist. The rich harmonies provide a slightly different framework for the melody than what is often expected, providing a new and refreshing adaptation for both ensemble and audience. This selection was originally commissioned for, and recorded on, Del Bybee's "The San Diego Holiday Project, 2001"

Transcription/adaptation of one of Glenn Miller's biggest hits for SATB saxophone quartet. Jazz (improvised) solos appear in the soprano and tenor chairs.

Gene Krupa's classic drum solo showcase for four saxophones?!?! Yes! This fun and challenging arrangement features Krupa's famous solos in syncopated slap-tongue attacks between the four members. *SATB w/opt. Bass Sax part (substitute for Baritone)

Exciting transcription of legendary "hard bop" trendsetter Horace Silver's "Sister Sadie" featuring improvised solos in soprano and tenor chairs. The solos trade back and forth leading to an exciting and crowd-pleasing climax. Baritone sax has an improvised walking bassline throughout (optional notated bassline included)

Regaining a new-found popularity by the hysterical "Austin Powers" movies, Soul Bossa Nova is a transcription of the main title theme...originally composed and arranged by Quincy Jones. This selection is a short, light, crowd-pleasing arrangement with light improvisation in the soprano chair.

Of the collaborations between Duke Ellington and Billy Strayhorn, "Take the 'A' Train" is perhaps the most popular as well as memorable swing-era compositions to audiences universally. This transcription effectively compresses a 17-piece big band into four voices without losing any of the intensity of the initial arrangement. Improvised solo in the soprano saxophone chair.

Adaptation of the vocal quartet "the Hi-Lo's" recording condensed into four saxophones. This arrangement shifts between a myriad of styles and tempos, maintaining its light character throughout. The tenor has a chance to stretch out on a solo in the middle of the arrangement.

Arrangement for SATB Sax Quartet and "low-instrument" soloist of the popular holiday classic from Dr. Seuss' "How the Grinch Stole Christmas." Solo parts are included for Bb, Eb, and C transpositions, allowing for a myriad of soloist choices.

A nostalgic visit to Bent Fabric's piano classic! A light swing feel sets the mood for one of the most popular instrumental popular pieces of the past fifty years. This arrangement is rated MEDIUM due to the relatively high voicing in all chairs

Arrangement of one of the most memorable selection's from Bernstein's "West Side Story." Contains a prelude with interesting rhythmic juxtapositions leading into the timeless melody.

Long celebrated as one of the most requested holiday classics, this original arrangement of the Christmas Song pays homage to singer Mel Torme, who wrote the song in 1946. The setting of the song is in the format of a saxophone quintet (SATBBs) w/vocal soloist. The soloist may also be substituted by any melodic instrument. This selection was originally commissioned for, and recorded on, Del Bybee's "The San Diego Holiday Project, 2001"

Mancini's beautiful melody arranged for SATB quartet. Begins with a lush rubato intro, and leads into a medium tempo swing. The arrangement may be opened up for group improvisation before the final recapitulation.

Orchestration of Stravinsky's revolutionary ballet for saxophone orchestra (SSAAAATTBBs) with optional bass drum

This original arrangement sets a holiday favorite in a saxophone quintet with the tenor serving as melodic soloist. The rich harmonies provide a slightly different framework for the melody than what is often expected, providing a new and refreshing adaptation for both ensemble and audience. This selection was originally commissioned for, and recorded on, Del Bybee's "The San Diego Holiday Project, 2001"

Transcription/adaptation of one of Glenn Miller's biggest hits for SATB saxophone quartet. Jazz (improvised) solos appear in the soprano and tenor chairs.

Gene Krupa's classic drum solo showcase for four saxophones?!?! Yes! This fun and challenging arrangement features Krupa's famous solos in syncopated slap-tongue attacks between the four members. *SATB w/opt. Bass Sax part (substitute for Baritone)

Exciting transcription of legendary "hard bop" trendsetter Horace Silver's "Sister Sadie" featuring improvised solos in soprano and tenor chairs. The solos trade back and forth leading to an exciting and crowd-pleasing climax. Baritone sax has an improvised walking bassline throughout (optional notated bassline included)

Regaining a new-found popularity by the hysterical "Austin Powers" movies, Soul Bossa Nova is a transcription of the main title theme...originally composed and arranged by Quincy Jones. This selection is a short, light, crowd-pleasing arrangement with light improvisation in the soprano chair.

Of the collaborations between Duke Ellington and Billy Strayhorn, "Take the 'A' Train" is perhaps the most popular as well as memorable swing-era compositions to audiences universally. This transcription effectively compresses a 17-piece big band into four voices without losing any of the intensity of the initial arrangement. Improvised solo in the soprano saxophone chair.

Adaptation of the vocal quartet "the Hi-Lo's" recording condensed into four saxophones. This arrangement shifts between a myriad of styles and tempos, maintaining its light character throughout. The tenor has a chance to stretch out on a solo in the middle of the arrangement.

Arrangement for SATB Sax Quartet and "low-instrument" soloist of the popular holiday classic from Dr. Seuss' "How the Grinch Stole Christmas." Solo parts are included for Bb, Eb, and C transpositions, allowing for a myriad of soloist choices.

A nostalgic visit to Bent Fabric's piano classic! A light swing feel sets the mood for one of the most popular instrumental popular pieces of the past fifty years. This arrangement is rated MEDIUM due to the relatively high voicing in all chairs

Arrangement of one of the most memorable selection's from Bernstein's "West Side Story." Contains a prelude with interesting rhythmic juxtapositions leading into the timeless melody.

Long celebrated as one of the most requested holiday classics, this original arrangement of the Christmas Song pays homage to singer Mel Torme, who wrote the song in 1946. The setting of the song is in the format of a saxophone quintet (SATBBs) w/vocal soloist. The soloist may also be substituted by any melodic instrument. This selection was originally commissioned for, and recorded on, Del Bybee's "The San Diego Holiday Project, 2001"

Mancini's beautiful melody arranged for SATB quartet. Begins with a lush rubato intro, and leads into a medium tempo swing. The arrangement may be opened up for group improvisation before the final recapitulation.

Orchestration of Stravinsky's revolutionary ballet for saxophone orchestra (SSAAAATTBBs) with optional bass drum

This original arrangement sets a holiday favorite in a saxophone quintet with the tenor serving as melodic soloist. The rich harmonies provide a slightly different framework for the melody than what is often expected, providing a new and refreshing adaptation for both ensemble and audience. This selection was originally commissioned for, and recorded on, Del Bybee's "The San Diego Holiday Project, 2001"

Transcription/adaptation of one of Glenn Miller's biggest hits for SATB saxophone quartet. Jazz (improvised) solos appear in the soprano and tenor chairs.

Gene Krupa's classic drum solo showcase for four saxophones?!?! Yes! This fun and challenging arrangement features Krupa's famous solos in syncopated slap-tongue attacks between the four members. *SATB w/opt. Bass Sax part (substitute for Baritone)

Exciting transcription of legendary "hard bop" trendsetter Horace Silver's "Sister Sadie" featuring improvised solos in soprano and tenor chairs. The solos trade back and forth leading to an exciting and crowd-pleasing climax. Baritone sax has an improvised walking bassline throughout (optional notated bassline included)

Regaining a new-found popularity by the hysterical "Austin Powers" movies, Soul Bossa Nova is a transcription of the main title theme...originally composed and arranged by Quincy Jones. This selection is a short, light, crowd-pleasing arrangement with light improvisation in the soprano chair.

Of the collaborations between Duke Ellington and Billy Strayhorn, "Take the 'A' Train" is perhaps the most popular as well as memorable swing-era compositions to audiences universally. This transcription effectively compresses a 17-piece big band into four voices without losing any of the intensity of the initial arrangement. Improvised solo in the soprano saxophone chair.

Adaptation of the vocal quartet "the Hi-Lo's" recording condensed into four saxophones. This arrangement shifts between a myriad of styles and tempos, maintaining its light character throughout. The tenor has a chance to stretch out on a solo in the middle of the arrangement.

Arrangement for SATB Sax Quartet and "low-instrument" soloist of the popular holiday classic from Dr. Seuss' "How the Grinch Stole Christmas." Solo parts are included for Bb, Eb, and C transpositions, allowing for a myriad of soloist choices.