This slow soulful ballad is one of the most requested first dances at weddings. Originally recorded by Etta James, this arrangement features an optional alto solo between vocal choruses.

Artie Shaw's signature clarinet feature. The clarinet solo is written in the tenor chair. Outside of some pretty quick changes in that seat, the chart practically plays itself!

as recorded by Steve & Eydie. Works great as a solo male or female vocal OR as a duet! Flute doubling is written in the first chair, but alto transpositions are indicated in smaller noteheads as well.

as recorded by Peggy Lee

One of Linda Eder's big hits. This up-tempo swing number has a "Sing, Sing, Sing" quality to it. The clarinet double is in the alto sax, and requires some pretty quick switches to catch all of the solo fills. The chart is a workout for all instruments, but is a great showstopper!

Instrumental rendition of Rimsky-Korsakov's "Flight of the Bumblebee." Originally a piano feature, this version has been orchestrated for six horns.

This Latin number is a transcription and re-orchestration of the recording by Dean Martin. All three saxes double on flute, but it is optional in the bari sax part.

Frank Sinatra recorded this song a few different times through his career. This version is adapted from the live version he recorded with the Basie band.

as recorded by Wayne Newton. Works as a male or female vocal.

as recorded by Joe Williams with the Count Basie band.

This sultry classic was first made famous by Peggy Lee. The version presented here is an adaptation of the Roger Holmes arrangement, which features the same vocal arrangement, but with added horns.

Instrumental arrangement of the classic Beatles song.

as recorded by Julie London

This instrumental version of Stevie Wonder's classic funk tune (as recorded by Najee) is an alto saxophone solo feature.

as recorded by Natalie Cole

Tommy Dorsey's famous trombone feature set for small band instrumentation. Features a very full sounding sax soli.

As recorded by Glenn Miller

as recorded by Bj?rk. This arrangement shifts between a quiet waltz and a raucous swing. There's doubling in all three of the saxes (alto=flute, tenor=clarinet, bari=bs. clarinet) but transpositions are included in smaller noteheads if those doubles are not available.

As recorded by Brian Setzer

This burnin' tenor sax feature was adapted from the recording by Count Basie. Set over rhythm changes, this is one of Basie's all time classic riff charts

as recorded by Glenn Miller

As recorded by

as recorded by Rosemary Clooney

As recorded by Michael Bubl

Glenn Miller's Theme Song

As recorded by Natalie Cole

as recorded by Linda Rondstadt (from "Mambo Kings")

as recorded by Doris Day. Written for flute, clarinet, and bass clarinet in the reeds, but transpositions for alto, tenor, and baritone are included.

as recorded by Frank Sinatra

A Duke Ellington classic! This fast swing chart has plenty of meat for everyone. There's even an optional "Cat Anderson" screech trumpet part at the end! Requires a strong clarinet doubler in the tenor chair.

This is an adaptation of an Oliver Nelson arrangement for the Adderley brothers. It fits well in latin, rock and funk settings.

...down Mexico way. This arrangement is one of Frank Sinatra's most memorable collaborations with long time friend and arranger, Nelson Riddle. It's amazing how well this chart adapts to the 10-piece medium. Two-beat feel for most of the chart, with a nice shout chorus and soli work in the middle. Watch for the band vocals at the end!

Very full sounding arrangement of David Rose's famous brass band chart. A must for the garter toss at weddings!

This slow, sexy swing number is an original arrangement featuring tenor sax and trumpet solos. The shout chorus in the middle really digs in! A good showcase for vocalist as well as band.

as recorded by Glenn Miller

This swing chart is a good compromise between swing and bebop. "Lamberts, Hendricks, & Ross" made this Wardell Gray composition famous by setting his solo to words. Available as a vocal or tenor solo, this arrangement follows the same idea. The melody is accompanied by background figures leading into an open solo section.

This swing chart is a good compromise between swing and bebop. "Lamberts, Hendricks, & Ross" made this Wardell Gray composition famous by setting his solo to words. Available as a vocal or tenor solo, this arrangement follows the same idea. The melody is accompanied by background figures leading into an open solo section.

As recorded by Natalie Cole

Transcription from the soundtrack of "Meet Joe Black." Modulates from G Maj to Ab Maj. NOTE: Versions also available in keys of F and Bb.

This burnin' arrangement for the holidays is both challenging and fun. Originally recorded in a "Manhattan Transfer-esque" style by the group "Avalon", it may be done solo or, like the recording, as a vocal group.

This slow soulful ballad is one of the most requested first dances at weddings. Originally recorded by Etta James, this arrangement features an optional alto solo between vocal choruses.

Artie Shaw's signature clarinet feature. The clarinet solo is written in the tenor chair. Outside of some pretty quick changes in that seat, the chart practically plays itself!

as recorded by Steve & Eydie. Works great as a solo male or female vocal OR as a duet! Flute doubling is written in the first chair, but alto transpositions are indicated in smaller noteheads as well.

as recorded by Peggy Lee

One of Linda Eder's big hits. This up-tempo swing number has a "Sing, Sing, Sing" quality to it. The clarinet double is in the alto sax, and requires some pretty quick switches to catch all of the solo fills. The chart is a workout for all instruments, but is a great showstopper!

Instrumental rendition of Rimsky-Korsakov's "Flight of the Bumblebee." Originally a piano feature, this version has been orchestrated for six horns.

This Latin number is a transcription and re-orchestration of the recording by Dean Martin. All three saxes double on flute, but it is optional in the bari sax part.

Frank Sinatra recorded this song a few different times through his career. This version is adapted from the live version he recorded with the Basie band.

as recorded by Wayne Newton. Works as a male or female vocal.

as recorded by Joe Williams with the Count Basie band.

This sultry classic was first made famous by Peggy Lee. The version presented here is an adaptation of the Roger Holmes arrangement, which features the same vocal arrangement, but with added horns.

Instrumental arrangement of the classic Beatles song.

as recorded by Julie London

This instrumental version of Stevie Wonder's classic funk tune (as recorded by Najee) is an alto saxophone solo feature.

as recorded by Natalie Cole

Tommy Dorsey's famous trombone feature set for small band instrumentation. Features a very full sounding sax soli.

As recorded by Glenn Miller

as recorded by Bj?rk. This arrangement shifts between a quiet waltz and a raucous swing. There's doubling in all three of the saxes (alto=flute, tenor=clarinet, bari=bs. clarinet) but transpositions are included in smaller noteheads if those doubles are not available.

As recorded by Brian Setzer

This burnin' tenor sax feature was adapted from the recording by Count Basie. Set over rhythm changes, this is one of Basie's all time classic riff charts

as recorded by Glenn Miller

As recorded by

as recorded by Rosemary Clooney

As recorded by Michael Bubl

Glenn Miller's Theme Song

As recorded by Natalie Cole

as recorded by Linda Rondstadt (from "Mambo Kings")

as recorded by Doris Day. Written for flute, clarinet, and bass clarinet in the reeds, but transpositions for alto, tenor, and baritone are included.

as recorded by Frank Sinatra

A Duke Ellington classic! This fast swing chart has plenty of meat for everyone. There's even an optional "Cat Anderson" screech trumpet part at the end! Requires a strong clarinet doubler in the tenor chair.

This is an adaptation of an Oliver Nelson arrangement for the Adderley brothers. It fits well in latin, rock and funk settings.

...down Mexico way. This arrangement is one of Frank Sinatra's most memorable collaborations with long time friend and arranger, Nelson Riddle. It's amazing how well this chart adapts to the 10-piece medium. Two-beat feel for most of the chart, with a nice shout chorus and soli work in the middle. Watch for the band vocals at the end!

Very full sounding arrangement of David Rose's famous brass band chart. A must for the garter toss at weddings!

This slow, sexy swing number is an original arrangement featuring tenor sax and trumpet solos. The shout chorus in the middle really digs in! A good showcase for vocalist as well as band.

as recorded by Glenn Miller

This swing chart is a good compromise between swing and bebop. "Lamberts, Hendricks, & Ross" made this Wardell Gray composition famous by setting his solo to words. Available as a vocal or tenor solo, this arrangement follows the same idea. The melody is accompanied by background figures leading into an open solo section.

This swing chart is a good compromise between swing and bebop. "Lamberts, Hendricks, & Ross" made this Wardell Gray composition famous by setting his solo to words. Available as a vocal or tenor solo, this arrangement follows the same idea. The melody is accompanied by background figures leading into an open solo section.

As recorded by Natalie Cole

Transcription from the soundtrack of "Meet Joe Black." Modulates from G Maj to Ab Maj. NOTE: Versions also available in keys of F and Bb.

This burnin' arrangement for the holidays is both challenging and fun. Originally recorded in a "Manhattan Transfer-esque" style by the group "Avalon", it may be done solo or, like the recording, as a vocal group.